Wednesday 12 July 2017

Star Wars Wednesday: The Top 15 Best Star Wars Music Tracks

The Top 15 Best Star Wars Music Tracks

          If there’s one thing we can all agree on, it’s that Star Wars is full of fantastic music courtesy of John Williams’ unparalleled composing talent. But which of these classic tunes are the best? I’ve decided to rank some of my favourites here in this completely subjective and very opinionated list! My one rule here is that I’m only allowed to include songs from the movies, so no “Vode An” or “Thrawn’s Web” (maybe another time). Also, since the Credits Theme is never really counted as it’s own piece, I’ll only be giving it an Honourable Mention. Without further ado…

15. Guardians of the Whills Suite (Rogue One)

          It seems only fitting to start this John Williams tribute article with a piece by Michael Giacchino. Oh well.

          The Guardians of the Whills suite represents the Guardians themselves, Chirrut and Baze, excellently. While the opening is slow and somewhat whimsical, as it builds it isn’t afraid to get a bit more intense. The final half of this piece was used lots in the marketing for Rogue One, and with good reason.

14. March of the Resistance (The Force Awakens)

          Unlike the Empire, the Rebellion never really got its own “main theme” in the Original Trilogy. The Force Awakens fixed that problem by giving us the March of the Resistance, an uplifting and heroic piece that perfectly fits the scene of Poe and Leia arriving on Takodana.

13. Battle of the Heroes (Revenge of the Sith)

          Poor Battle of the Heroes will always be fated to be remembered as the second best fight theme from the Prequel Trilogy. Despite this, it’s a fantastic orchestrated piece that really adds to the weight of what was, at the time, the final battle in the entire saga. Anakin’s pivotal showdown with Obi-Wan was one of the most anticipated parts of the prequels, and whether you like or dislike how CGI’d that lava brawl ended up being, there’s no denying that the operatic quality of this song fit it perfectly.

12. Across the Stars (Attack of the Clones)

          Speaking of the Prequel Trilogy and things fitting perfectly, how about this one? While Hayden Christensen and Natalie Portman’s onscreen chemistry never quite felt believable (an issue I chalk up to the writing ability of a certain Mr. Lucas), this iconic piece from Attack of the Clones helped make the seemingly endless scenes spent watching Anakin and Padme canoodling on Naboo a little more watchable.

11. Rey’s Theme (The Force Awakens)

          Star Wars is known for giving its characters big, bombastic pieces to go along with their main characters. Who could forget the first time they watched Empire Strikes Back and watched Vader storming through Echo Base with the Imperial March blaring behind him? (more on that later though).

          Compared to the heavy orchestral pieces attached to characters before it, Rey’s Theme barely holds any presence. It’s quiet and airy, using violins as a major instrument instead of the much more utilized brass section. Just like Rey herself in Force Awakens, this theme doesn’t look like much at first, but there’s some interesting stuff hidden beneath.

10. Jedi Steps (The Force Awakens)

          Fun fact: While watching the Force Awakens red carpet, I turned to my mom and said “You know, I’m willing to bet Luke won’t be in the movie at all until the last third at most.” She told me there was no way, and that he’d surely play a pivotal role that was being kept ultra-secret, explaining his absence from the trailers.

          Fast forward a month or so later, and we were left speechless at how Luke was left speechless. Despite that, this song paired with imagery of Rey’s arrival on Ahch-To was an incredibly satisfying way to cap off the first part of the sequel trilogy, and the leitmotif-filled credits theme afterwards is a lot of fun.

9. Victory Celebration (Return of the Jedi)

          Some may prefer the original Ewok victory song from the non-Special Editions, but while that one’s definitely a very fun song, I see this one as a much better way to close the original trilogy. It adds a lot of levity and gives a feeling of hope right after seeing Luke burning dear old dad, ending the most integral part of the Star Wars saga with a smile.

8. Jyn Erso and Hope Suite (Rogue One)

          While Rogue One doesn’t overall have the most memorable Star Wars soundtrack, composer Michael Giacchino did a fantastic job filling the enormous shoes John Williams left behind while off working on The Last Jedi. Considering this, I think he did a great job, and it’s no more apparent than in this piece. Just like the movie it plays in, while it may seem overly somber at times, there’s always a lingering sense of light throughout the suite, making it one of my personal favourite Star Wars compositions.

7. Duel of the Fates (The Phantom Menace)

          This one’s the most famous composition from the Prequel Trilogy, and with good reason. The climactic battle between Qui-Gon, Obi-Wan and Darth Maul is one of Phantom Menace’s saving graces, and this epic piece playing behind it basically redefined what it meant to have a climactic lightsaber battle at the end of a Star Wars movie.

6. Throne Room (A New Hope)

          Aside from the top two winners of this list, the Throne Room theme is one of the most iconic pieces from all of Star Wars. If the destruction of the Death Star wasn’t thrilling enough, having Luke and Han (and let’s be honest, Chewie as well) being presented by medals by Leia ranks up as one of the most satisfying endings in cinema history. And if you don’t think this theme isn’t a major part in why this scene works, take a look at how it’d be without it!

5. Princess Leia’s Theme (A New Hope)

          It’s interesting at how a song can take on different uses over time. This initially was just the theme used for Princess Leia. When Empire Strikes Back was released it was repurposed for use in romantic scenes between the princess and Han. Versions of it were used in Return of the Jedi and Force Awakens. And, most recently, John Williams used it at Star Wars Celebration as a way to pay homage to the recently departed Carrie Fisher, leaving no one in the room with a dry eye. No matter how it’s used, this theme is one of the most beautiful compositions in the entire saga, and just like Carrie herself, we’d be much worse off without it.

4. Yoda’s Theme (Empire Strikes Back)

          I heard once somewhere that this was John Williams’ favourite piece he ever composed for Star Wars. While I couldn’t find a backing source on that for this article, I can definitely see why that would be the case. Just like the diminutive Jedi master himself, this theme is both mystical and whimsical, with very light and bouncy tones overall, while still having a bit of a quiet and slow quality to it. It’s just great.

3. Binary Sunset/The Force Theme (A New Hope)

          It’s a tie! Er, sort of. Truth be told, these themes are arguably one and the same so I figured I’d count them both at this point in the list.

          This theme, to me, perfectly encapsulates the call to adventure Luke feels as he stares out into the twin suns in A New Hope. Easily the most symbolic image in the entire Saga (in my opinion, at least), this scene does a great job at helping you understand Luke’s character better with no words spoken at all.

          An interesting fact: George Lucas specifically asked for the Force Theme to be played here after he was displeased with the original take. Wanna hear what John Williams originally thought this scene should sound like? Well, there was a video here at one point that showed you, but the uploader went and took it down. It's well worth seeking out though.

2. The Imperial March (Empire Strikes Back)

          And now we’re getting into the really iconic. The Imperial March has basically transcended pop culture and has become one of the most famous villain themes in the history of entertainment. The Imperial March’s famous opening notes can be easily recited even by people who’ve never seen a Star Wars movie.

          In fact it’s so famous that a lot of people don’t remember that it isn’t introduced until Empire Strikes Back, where it doubles as a theme for both Vader and the Empire in general. Seeing Vader swoop into a room with this theme blaring really gave him a weight he never had in A New Hope, turning him from an intimidating foil for Obi-Wan to a true nightmare.

1. Star Wars Main Theme (A New Hope)

          I mean…is there really any other choice?

          This theme is arguably the most famous piece in movie history. I know it, you know it, your grandma knows it, I’d even be willing to bet that you could walk up to any random guy on a busy street and they’d all know it. This is more than just a piece that opens each episode; this song is Star Wars.

          Everything you need to know about the adventure that’s about to unfold is told to you here (as well as in the scrolling yellow letters you see while this plays). It’s epic, it’s light, it’s exciting, and it’s full of hope. This song gets you energized and ready for what’s about to unfold on the big screen, and that’s why it’s the best Star Wars song ever.

          Are there any I missed? Let me know what your favourite song from Star Wars is, and I’ll see you next time!

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